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  1. Don't Ask Why
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Don't Ask Why
by the ajjancy

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Lyrics

Il était une fois
Un jeune gars/mec qui est tombé amoureux d'une nana sublime
Pas juste parce qu'elle avait un corps de rêve
Mais aussi un cœur doux et pur
Et une passion pour la vie et ses plaisirs les plus simples
Que ce couple partageait ensemble
Voici leur histoire…

Sea and sun
Making Love
And lots of good, good wine
Makes life seems less rough
And all is healed in time
When it's not easy
To keep believing that all will be fine

My baby told me to throw her a line
I did, I didn't ask her why
I told my baby to give me a sign
She did, she didn't ask me why
If you know me
Then you need only reach out

Les mois sont devenus des années
Remplies de joie, de rires, de tendresse, et de soutien l'un à l'autre
Des matinées montagnardes, des couchers de soleil à la plage
Leurs voyages d'amour fou et surtout le bonheur de leur complicité

To hold my hand
I'll make you smile
And laugh a million times
Because life's too short
To let them criticize
Hang on baby
No ruminating, 'cause all will be fine

My baby told me to throw her a line
I did, I didn't ask her why
I told my baby to give me a sign
She did, she didn't ask me why
When you love
You don't ask why
When you love
You don't ask why

Mais un jour, il a dû quitter pour vivre très très loin
Plein de larmes et de tristesse, il lui a brisé le cœur
Elle a pleuré en disant, "je perd plus que mon amant, je perd aussi mon meilleur ami"
Et il lui a répondu, "si on s'aime, on s'aimera toujours, quoi qu'il arrive
La vie est longue et un jour on pourra s'aimer à nouveau"

Baby, hang on
When you love
You don't ask why

L'amour est une promesse
L'amour est un feu
L'amour est un mystère
L'amour est une ivresse
L'amour est une symphonie
L'amour est un voyage
L'amour est un poème
L'amour est une force
L'amour est une faiblesse
L'amour est une lumière
L'amour est une aventure
L'amour est un rêve
Un beau rêve
Un très beau rêve

What the critics are saying

“Metallica paired with the Moody Blues on 'Nothing Else In White Satin' is a stroke of genius.”

— Daily Vault

“The most bonkers track is 'Frame by Style,' inexplicably but ingeniously pairing 'Frame by Frame' by King Crimson with 'Style' by Taylor Swift. You need to hear it to believe it!”

— Sea of Tranquility

“This isn’t just a tribute, it’s a deconstruction of the greatest pop and rock moments from the 1960s to the 90s and beyond, offering up a kaleidoscopic mashup of iconic sounds that defies expectations.”

— Progressive Rock Central

“Progressive rock fans with a good sense of humour should find songs such as 'Roundabout Thriller' and 'Frame by Style' being able to inspire a smile and a chuckle too.”

— Progressor

“Brilliant and flawed, this album simply keeps on exuding fun, spin after spin.”

— DMME - Let It Rock

“A sonic collage of old and new, with tracks that span the breadth of decades while adding an entirely new narrative.”

— We Write About Music

“Skillfully and brilliantly done. Often astonishing fusions of tracks and artists, which you probably would never have imagined together, repeatedly bring a surprised smile to your face.”

— Rock Times

“The musicianship is prog, the style is pop, and the vocals are sweet.”

— Musoscribe

“Everyone needs a smile now and then, and music created with a sly wink is a welcome diversion from the outside world.”

— Exposé

Bio

the ajjancy, moniker of NJ-native singer/songwriter George Ajjan, tackles recurring Gen-X & millennial themes of parenthood, coping with love & loss, and seeking hope in an increasingly desperate political climate. His non-musical alter-ego jets around the globe navigating the corridors of power, for which the ajjancy aspires to atone through meticulous song-craft, tempering the melancholic with a indefatigable glimmer of optimism.

If he “has agency” to make the listener think and feel, it’s thanks to a wide range of pop, rock, and classical idioms. Thus, the ajjancy’s originals, featuring session pros Fernando Perdomo on guitar, Dan Feiszli on bass, Matt Lebofsky on keyboards, and Terry Branam on drums, could be called chamber-rock: unexpected chord changes, the occasional odd meter, layers of instrumental parts and vocal harmonies: always melodic, sometimes sacrilegious - the gods of form be damned. Result: a pop-oriented distillate of progressive rock’s best elements without the derivative tropes and dated clichés.

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